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Esther vor dem persischen Konig Ahasver ID de tableau:: 76403
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Esther vor dem persischen Konig Ahasver Date 1733-1734
Medium Oil on canvas
Dimensions Deutsch: 47 x 33 cm
cyf Date_1733-1734
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_47_x_33_cm_
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Heilige Familie und der Hl. Ignatius von Loyola ID de tableau:: 76672
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Heilige Familie und der Hl. Ignatius von Loyola 1704
Oil on canvas
127,5 x 95,5 cm
cjr 1704
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_Oil_on_canvas
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127,5_x_95,5_cm_
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Hl. Prokulus, Hl. Firmus und Hl. Rusticus von Verona sowie ein Engel ID de tableau:: 78416
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Hl. Prokulus, Hl. Firmus und Hl. Rusticus von Verona sowie ein Engel 1704
Oil on canvas
380 x 250 cm
cjr 1704
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Oil_on_canvas
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380_x_250_cm_
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Heilige Familie und der Hl ID de tableau:: 78621
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Heilige Familie und der Hl 1704
Medium Oil on canvas
Dimensions Deutsch: 127,5 x 95,5 cm
cyf 1704
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_127,5_x_95,5_cm_
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Elisabeth von Ungarn ID de tableau:: 78700
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Elisabeth von Ungarn 1706-1708
Medium Oil on canvas
Dimensions Deutsch: 180 x 115 cm
cyf 1706-1708
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_180_x_115_cm_
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| Artiste précédent Artiste prochain
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Sebastiano Ricci
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(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. |
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